skip to primary navigationskip to content
 

Thomas J. Nelson

Thomas J. Nelson

Department: Classics

Supervisor: Prof. Richard Hunter

College: Trinity

AHRC Subject Area: Classics

Provisional Thesis Title: Indexicality: Markers of Allusion in Archaic and Classical Greek Poetry


Biography:

Thomas is in the final year of his PhD in Classics at Trinity College, Cambridge, where he is exploring how Ancient Greek authors from Homer to Hellenistic poetry signalled their interactions with other texts and traditions and negotiated their own place within the larger literary tradition. 

Before moving to Cambridge, he completed his Undergraduate (2013) and Master's (2014) degrees at the University of Oxford. 

He has recently co-organised a conference on Hellenistic Poetry Beyond Callimachean Aesthetics, 1-3 September 2016 (http://www.castingoffshadows2016.co.uk/), and was also a member of the organising committee for the AHRC DTP's Conference on Time and Temporality, 14-16 September 2016. 

He is very open to any kind of collaborative research and happy to be contacted about any ideas for collaboration, however preliminary.

Research Interests:

  • Intertextuality and Allusion
  • Citation and Quotation
  • (Meta-)poetics
  • Archaic, Classical and Hellenistic Greek Literature, esp. Poetry
  • Hellenistic Royal Ideologies
  • Interrelation of Image and Text
  • Roman Reception of Greek, esp. Hellenistic, Literature.

Key Publications

ARTICLES

  • Beating the Galatians: Ideologies, Analogies and Allegories in Hellenistic Literature and Art in A. Coşkun (ed.) Recent Research on Ancient Galatia (Central Turkey) in the Hellenistic and Roman periods [forthcoming]
  • The Shadow of Aristophanes: Hellenistic Poetry's Reception of Comic Poetics in M. A. Harder et al. (eds.) Drama and Performance in Hellenistic Poetry [forthcoming]
  • Penelopean Simaetha: A Flawed Paradigm of Femininity in Theocritus’ Second Idyll in C. Cusset et al. (eds.) La féminité dans les arts hellénistiques: voix, genre, representations. [forthcoming]

  • Attalid Aesthetics. The Pergamene ‘Baroque’ Reconsidered in M. Leventhal & T. J. Nelson (eds.) Hellenistic Poetry Beyond Alexandria and the Callimachean Aesthetic. [forthcoming]

  • Early Hellenistic Epic in M. Perale et al. (eds.) Early Hellenistic Poetry [forthcoming]

  • Moero of Byzantium in M. Perale et al. (eds.) Early Hellenistic Poetry [forthcoming]