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Cambridge AHRC Doctoral Training Partnership - Student Profiles



I have come to Cambridge after four years working as a curator in the Anthropology Department of the Horniman Museum, South London. 

My research focuses on the Kalasha of northwest Pakistan, the last followers of a pre-Islamic religion.  Sources covering the past 100 years or so reveal a remarkable flexibility in the practice of Kalasha culture. The Kalasha, it appears achieve the seemingly paradoxical feat of maintaining an identity which is at once oppositional to the communities around them whilst also accommodating those communities. I aim to uncover the mechanisms through which Kalasha actors produce their distinctively adaptive identity and bring this data to bear on existing theories of heritage and identity. 


Other Academic Interests


Museum collections from Arctic cultures

Museum collections of English folk and magical objects

Museum Collections from Tibetan speaking peoples

Ethnographic weaponry

Curatorial practice and public engagement

Landscape Archaeology of the Western Isles


Key publications: 
  • Crowley, Tom, 2015. 'Rediscovering the Samson and Bailey collections: lost landscapes and London's Tibetans'. In Journal of Museum Ethnography, 28, pp173-183.
  • Crowley, Tom, Forthcoming. 'Bringing Questions of Authenticity and Identity from Northwest Pakistan to Southeast London: Collecting Kalasha dresses for the Horniman Museum'. In The Future of South Asian Collections.
  • Crowley, Tom and Mills, Andrew (eds.) 2018 Weapons, Violence and the Anthropology Museum. Newcastle: Cambridge Scholars.
  • Crowley, Tom, 2018 'Horror in the Horniman: living with the Cuenca torture chair'. In Crowley, Tom and Mills, Andrew (eds.),  Weapons, Violence and the Anthropology Museum. Newcastle: Cambridge Scholars.
Department: Archaeology
Supervisor: Dacia Viejo Rose
College: Jesus
AHRC Subject Area: Heritage
Title of Thesis: Heritage on the Margins: Brokerage and Enchantment on Pakistan’s Northwest Frontier
 Tom  Crowley